The Good Work Of Erroll J. Reykjalin Aka Oxlajuj Qanil

The Good Work Of Erroll J. Reykjalin
aka Oxlajuj Qanil



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Erroll J. Reykjalin
aka Oxlajuj Qanil
ZERO POiNTS to iNFiNiTY
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Just finished reconstructing the Chol q'ji codex!
It's a 180 turn of the one you have there. Venus / Chak Ek / The Red Star / Qanil / Lamat...
as the Morning Star.

People have been misinterpreting the direction of the glyphs for a long time...

EAST - Fire - Red = Qanil, E, Ajmaq, Ajpu, Kat

NORTH - Air - White = Aj, Noj, Imox, Kan, Toj

WEST - Earth - Black = Tijax, Iq, Kame, Tzi, Ix

SOUTH - Water - Yellow = Aqabal, Kej, Batz, Tzikin, Kawoq


Venus / Chak Ek / The 8 Division Sky Place...

Watch these videos by David Talbott!

The first one explains that in ancient time there were amazing phenomena
with Venus when Mars was in front and Saturn behind…

Symbols of an Alien Sky - 1 - Full Documentary

www.youtube.com/watch?v=t7EAlTcZFwY

Symbols of an Alien Sky - 2 - The Lightning Scarred Planet, Mars

www.youtube.com/watch?v=tRV1e5_tB6Y

Symbols of an Alien Sky - 3 - The Electric Comet

www.youtube.com/watch?v=34wtt2EUToo

The Thunderbolts Project - Website
www.thunderbolts.info/wp



You mean the glyphs as a cross, starting at the center and move out wards?
I put them this way so you can find your complimentary Nawales much easier.
Example; say your Heart Sign is Ajmaq, then your complimentary Nawales are Imox, Kame, Batz.

Venus / Chak Ek / The Red Star in the East as the Morning Star and the glyphs in the West
as Venus the Evening Star.

One and Seven Junajpu / One and Seven Kame of the Dresden Codex are what the Popol Vuh tells about.

Which is a 104 year long journey for One and Seven to complete as the Morning and Evening Star
through the Sacred Chol q'ji. Starting with 1, 8, 2, 9, 3, 10, 4, 11, 5, 12, 6, 13, ending on 7.

This is a photo i made last year, showing one 8 year cycle out of 13.
I still have to make 12 more with the proper numerals for each cycle.
Im glad i didn't finish them, because i now have to change the colors of the glyphs in light of this new discovery. As well, i want to turn the pentagram to the upright position.

The Good Work of Erroll J. Reykjalin

 

Erroll J. Reykjalin says:
"The Chol q'ji or Tzolkin is the HUB that turns all the other calendars of which there are over 20...
The Haab is the 365 day Agriculture calendar and Imox is used as an indicator of when to Sow and Harvest
as well as Qanil in combination of what land to use in one growing season and not in the next season.
So that the top soil can regenerate, other wise the nutrients gets depleted..

The Energies of the Sacred Calendar are Magical, they're Real and Very Powerful...
And can work in our favor, if we know how to tune into them.
Not so much, if we don't.
You have to follow it EVERYDAY for quite a while before you start to recognize their patterns, their subtleties.
Like Ian Lungold has said "What You Pay Attention To, You Become Conscious Of..."

THANK YOU ERROLL J. REYKJALIN for your good & interesting work !!!

 

The Good Work Of
Erroll J. Reykjalin Aka Oxlajuj Qanil

In Mesoamerican mythology the Lords of the Night are a set of nine gods
who each ruled over every ninth night forming a calendrical cycle.

Each lord was associated with a particular fortune, bad or good, that was an omen for the night that they ruled over.

The Lords of the Night are known in both the Aztec and Maya calendar, although the specific names of the Maya Night Lords are unknown.

The glyphs corresponding to the night gods are known and mayanists identify them with labels G1 to G9, the G series.

Generally, these glyphs are frequently used with a fixed glyph coined F.

The only Mayan light lord that has been identified is the God G9,Pauahtun the Aged Quadripartite God.

The existence of a 9 nights cycle in Mesoamerican calendrics was first discovered in 1904 by Eduard Seler.

The Aztec names of the Deities are known because their names are glossed in the Codex Telleriano-Remensis and Codex Tudela. Seler argued that the 9 lords each corresponded to one of the nine levels of the under world and ruled the corresponding hour of the night time, this argument has not generally been accepted, since the evidence suggests that the lord of a given night ruled over that entire night.

Zelia Nuttall argued that the Nine Lords of the Night represented the nine moons of the Lunar year. The cycle of the Nine Lords of the Night held special relation to the Mesoamerican ritual calendar of 260-days and nights or -night which includes exactly 29 groups of 9 nights each, and also, approximately, 9 vague lunations of 29 days each.

http://en.wikipedia.org/wiki/Lords_of_the_Night

Lunar Cycles and the Lords of the Night

The Lunar Series was the first Maya original contribution to the calendar and was incorporated early in the 3rd century AD. It was displayed just after the long count and tzolk'in in a sequence of four to eight glyphs. Using lunar day counts of 29 or 30 days, the Maya grouped Moon cycles into sets of six lunations (a lunation being the time between two, successive new Moons).

Also within, or at least connected to the Lunar Series is a 9-day cycle called the Lords of the Night. Little is known about the significance or origin of this 9-day cycle, but it is recognized as the smallest cycle the Maya recorded. An interesting modern Maya use of nine days is connected to the Tzolk'in and the day of one's birth. In Maya communities of the Guatemalan highlands, it is said that counting nine days forward and nine days backwards from one's tzolk'in birthday gives the identities of their protector nawals, or protector spirits. Together, scholars refer to the Lords of the Night and the Lunar Series collectively as the Supplemental Series.

In each of the over 250 known inscriptions containing a Lunar Series, a few standard points of information are provided. Those are; how many days have passed during the current lunation, which of the cycles of six lunations this Moon is in, the name of the current Moon, and how many total days this lunation has (29 or 30). Individually, the glyphs representing these points of information were labeled by Morley as glyphs A, B, X, C, D, E, F and G. Glyphs Y and Z were added as reading methods became more refined. Rarely does a single text display all of these glyphs, usually conflating them into pairs or omitting a few for textual space considerations.

The Leiden Plaque, a lunar series recorded in 320 AD. The earliest known Lunar Series from the Maya world comes from an object called the Leiden Plaque, an eight inch jade celt meant to hang from the waste of a royal costume. On its front side a king is displayed, standing atop a captive and wearing an elaborate costume.

The date etched on its back side is 8.14.3.1.12 1 Eb 0 Yaxkin, or September 17th, 320 AD.

At the very bottom of the text, after the long count and the tzolk'in day, a group of eight smaller glyphs provide first the Lord of the Night and then some basic Lunar Series data. Though stylistically this artifact can be tied to the Peten, it was looted from its original context, so its exact point of origin remains unknown. The earliest known Lunar Series from a stela with secure archaeological context comes from Uaxactun and dates to 357 AD.

There is good evidence to say that the Maya were able to calculate the actual length of an average lunation very accurately.

The Lunar Series chooses 29 or 30 days, following the Maya penchant for expressing only whole numbers, while modern science calculates the synodic period of the moon as 29.53059 days. When they chose to pick a formula of six lunations the average day count came out to 177 days, or 6 x 29.5 days, which was close to true but still incurred an error of about .36 days per year.

While a count of 177 days was not as accurate as the Maya could get, it was probably used because it is the most common interval of time in between eclipses.

More accurate multiples of the lunar months were sometimes used for long range calculations. Comparison of Classic Period lunar data in Palenque monuments with the mythological lunar data from the Temple of the Sun suggests that the latter was calculated using the formula 81 moons = 2,392 days.

This gives an average length of the lunar month as 29.53086, accurate to within 7 minutes per year.

While not accurate enough to calculate a lunar age over two thousand years in the past, this formula would have produced accurate results when used to calculate lunar ages in the Classical era. At Copan, a formula that was almost as accurate seems to have been known:
149 moons = 4400 days.

This gives a value of the lunar month as 29.5302 days.

John Teeple, a chemical engineer who chose the astronomy of Maya inscriptions as his hobby, uncovered the mechanics of the Lunar Series in the 1920's. Spending much of his time travelling on trains, he entertained himself by pouring over hieroglyphics texts and pondering their meanings.

The first important clue noticed by Teeple was the fact that the last glyph of the lunar series always counted 29 or 30 days, close to the 29.53 day length of the lunar month.

Next he noticed that the first numbers in the series were always between 0 and 29 days, suggesting that they were days in the lunar month.

Teeple tested his hypothesis by comparing inscriptions from the Temple of the Sun and the Temple of the Foliated Cross at Palenque. The Temple of the Sun records an event from mythological time, on the long count 1.18.5.3.6, long before the Classic Period.

The Temple of the Foliated Cross records a long count date just 14 days later.

Both are followed by a lunar series. If his hypothesis about the meaning of the lunar series was correct, he expected to find that his readings of the moon ages would be 14 days apart.

Indeed, the Temple of the Sun text records of a moon age of 26 days, in a 4th lunar month of 30 days and the Temple of the Foliated Cross text records a moon age of 10 days in the 5th lunar month. This was his confirmation and he went on to translate almost 200 examples of the Maya Lunar Series and published them in two extensive manuscripts, one in 1925 and the other in 1930.
http://mayan-calendar.com/ancient_supplementary.html

G1 Center - Xiuhtecuhtli (God of Fire and Time)
G2 East - Itzli (The Sacrificial Knife)
G3 East - Pilzintecuhtli (God of the Sun)
G4 North - Cinteotl (God of Maize and Subsistence)
G5 North - Mictantecutli (God of Death)
G6 West - Chalchiuhtlicue (Goddess of Jade Water)
G7 West - Tlazolteotl (Goddess of Confession)
G8 South - Tepeyollotl (Jaguar God)
G9 South - Tlaloc (God of the Rain)

Link to Interpretations of Night Lords
http://www.4-ahau.com/en/Lords_of_Night.html

Link to Calculators with Night Lords
http://www.xzone.com.au/tzolkin/tzolkin.html
http://maya.nmai.si.edu/calendar/maya-calendar-converter

Links to PDF Downloads
Maya Glyphs Book 2
http://www.famsi.org/research/pitts/MayaGlyphsBook2.pdf

Introduction to Maya Hieroglyphs
http://www.mesoweb.com/resources/handbook/WH2004.pdf

Creation (Three Hearth Stones)
http://www.mesoweb.com/pari/publications/RT10/Creation.pdf

FAMSI - The Ancient Maya Codices
http://www.famsi.org/mayawriting/codices/marhenke.html

 

The Good Work Of Erroll J. Reykjalin Aka Oxlajuj Qanil

JOIN US HERE
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Erroll J. Reykjalin Aka Oxlajuj Qanil
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The Trecena of Light - Ajpu ~ Sun ~ Ahau
October 12th to 24th, 2014

Enlightenment, Remembrance, Honor of Ancestors, Ascension, Awareness of Co-Creation,
Awareness of new possibilities and new beginnings, Awakening to Miracles.

Ajpu or Light energy represents source energy that compels us to seek our spiritual path.

The dreamer or visionary in each of us who follows his heart while remaining grounded
(by earthly ancestral wisdom) will complete the spiritual journey.

Ajpu energy gives us the power to co-create whatever we put our attention to.

This energy of light resonates with new concepts.

The Maya also called this day sign the Day of the Ancestors or Lords,
which was considered to be the most sacred of all days.

Carlos Barrios in Book of Destiny states that this day sign has the power to overcome negative energy.

It “governs lunar and solar eclipses…brings material and spiritual certainty.

It is the realization of the solar body. It is transformation, mutation, and acuity.

It is the warrior, the companion, the traveler, the dancer, and the artist, maker of wonders.
– the lord of flowers, master and heir to the power of light.”

According to Kenneth Johnson in Jaguar Wisdom: “This is the day sign of all things lordly and complete,
including the world of the Ancestors, that lies behind our present moment, linking us with times past
in an endless revolution of days…it is clear that it represents that ecstatic process that connects us
to the collective mind and to the cyclic flow of time itself.”

The energies of the Tzolkin are helping us to move out of Chronos time
(mechanized time of the Gregorian calendar and the 12:60 clock) and into Karios time
– natural time, 13:20, the cyclic flow of time itself.

Another representation of the Trecena is that of a creative wave beginning at 1 and ending at 13,
with the numbers 6, 7 and 8 representing the crest of the wave.

The crest could be interpreted as a strong influential energy, although the underlying influence on the Trecena
would still rest in the beginning. Light energy underlies (or influences) the days of 6 Kan ~ Serpent,
or Kundalini energy rising up the spine connecting us with earthly and heavenly energies;
7 Kame ~ Death, Transformational energy, death, rebirth and ancestral wisdom;
and 8 Kej ~ Deer, representing the grounding of the 4-legged animals and the rituals
which connect us to earth.

This pattern of light energy is available now and offers each of us the opportunity
to heal our spirit and heal Mother Earth.

As we journey through each day of this Trecena Utilize the energy of Ajpu to look at your personal patterns
and determine what is important to your spiritual path in this moment.

Pray and give thanks to the Ancestors for guidance as we are in need of miracles right now.

Collectively, we can send this love and light energy wherever it is needed on Mother Earth.

Erroll J. Reykjalin Aka Oxlajuj Qanil
www.mayanmajix.com/lab_F1.html
www.tzolkincalendar.com

 

Trecena: Imox ~ Crocodile ~ Imix
Sept 3rd to 15th, 2014



Trecena: Imox ~ Crocodile ~ Imix
Sept 3rd to 15th, 2014

Initiating new possibilities and concepts, Receptivity and Trust, Nourishment, Protection,
Primordial Ocean of Possibilities.

The Classic Maya believed that an earth monster or primordial Crocodile floated in the ocean of the Underworld.

He carried the Earth on his back, nourishing and protecting all life.

Thus, Crocodile supplies humanity with the underlying primal connection to nature and Mother Earth.

The glyph itself represents a Waterlily, a symbol of beauty, abundance and growth,
and the possibility of ascension out of the primordial soup of creation.

Out of the void, a spark of fire falls into the primordial ocean of possibilities and creation spirals into life.

The number 1 and Imox both symbolize beginning.

According to Kenneth Johnson in Jaguar Wisdom, “this is an arbitrary point of origin.
The rhythm of the Sacred Calendar is circular;

many contemporary Calendar shamans insist that it has neither beginning nor end.

Carlos Barrios in The Book of Destiny states: “Imox puts the mind in a receptive mode,
increases spiritual strength, and manages the energies of change. It provides the power to understand
nature’s messages in order to plan the next steps in one’s life. Imox means the essence in every sense of the word.
It is everything that corresponds to the left side, the subtle part of humans. It is the unusual and the eccentric.
We need a positive equilibrium on this day because it could lead to lunacy. It is lizards or crocodiles,
the energy that manifests the hidden or internal side of humans, the powers that are dormant.
It is the essence of our consciousness, our mind. It represents the inner space of the mind and the connection
between concepts. It is the power that keeps ideas together, the strength of our mind.”

As we journey through each day of this Trecena

- Utilize the energies of Imox to open our hearts and live from our hearts.

Crocodile offers the emotional, physical and spiritual strength needed to balance the vibrational changes
occurring now with planet Earth and concurrently within ourselves.

“Following your heart or intuition is the only method capable of weaving the unthinkably complicated patterns
of creations (those of our own and others) into what we wish for ourselves and others.”
- Ian Xel Lungold


Erroll J. Reykjalin Aka Oxlajuj Qanil
www.mayanmajix.com/lab_F1.html
www.tzolkincalendar.com

 

The Four Directions of the K’iche’ Maya from Momostenango, Guatemala...
EAST ~ Fire : Batz, Tzikin, Kawoq, Aqabal, Kej
WEST ~ Earth : E, Ajmaq, Ajpu, Kat, Qanil
NORTH ~ Air : Aj, Noj, Imox, Kan, Toj
SOUTH ~ Water : Ix, Tijax, Iq, Kame, Tzi

Erroll J. Reykjalin Aka Oxlajuj Qanil Erroll J. Reykjalin Aka Oxlajuj Qanil