The Good Work Of Erroll J. Reykjalin Aka Oxlajuj Qanil

Discussion in 'Ancient and Original Native and Tribal Prophecies' started by CULCULCAN, Sep 14, 2014.

  1. CULCULCAN

    CULCULCAN The Final Synthesis - isbn 978-0-9939480-0-8 Staff Member

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    The Current of Source Energy takes the Path of Least Resistance...
    Acknowledge ~ Accept ~ Allow the Remembering of True Self...
    Bridge the gap to Divine Intelligence ~ Ignite the All Spark Within...
    You are the One you've been waiting for...

    What You Pay Attention To, You Become Conscious Of...
    - Ian Xel Lungold

    Take some time to go through the Photos, Links and click on the "Files" section. I'm certain you will find some gems in there that you can download and read when you like.

    NATURAL LAW
    www.whatonearthishappening.com/videos
    THE KYBALION
    www.sacred-magick.com/v/SM-Kybalion.pdf
    THE KYBALION (Audio)
    http://youtu.be/OQhUDbHpMC0
    THE EMERALD TABLETS OF THOTH
    www.horuscentre.org/…/Herm…/The_Emerald_Tablets_Of_Thoth.pdf
    THE BOOK OF DESTINY
    www.harpercollins.com/books/Book-Destiny-Carlos-Barrios/…
    MAYAN CALENDAR ASTROLOGY: MAPPING YOUR INNER COSMOS
    www.amazon.ca/Mayan-Calendar-Astrology-Mapping…/…/0977403599
    MAYAN SACRED CALENDAR - Discover Your NAWAL (Heart Sign)
    www.mayancross.com
    www.mayanmajix.com
    www.mysticomaya.com/eng_index.htm
    HERB OF IMMORTALITY
    www.ambrosiasociety.org/files/herbofimmortality.pdf
     
  2. CULCULCAN

    CULCULCAN The Final Synthesis - isbn 978-0-9939480-0-8 Staff Member

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    10590510_10204391274174164_480893039265694953_n.jpg?oh=11b7e599fb15fc15fce6012604f3108f&oe=54BEC698
    The Good Work Of Erroll J. Reykjalin Aka Oxlajuj Qanil


    Although information about the nine Lords of the Night is not very large compared to other Mayan themes,
    we must understand the world and Mayan cosmogony in order to understand them.

    Whenever we speak of the Maya we cannot escape to mathematics,
    as to how they developed these complex calendars based on great astronomical knowledge.

    The nine Mayan gods (Bolontiku or Lords of the Night) have historically fulfilled a very important cultural role
    for the Mayan villages. Their power, wisdom, and protection are invoked for all matters whether worldly or spiritual.

    They are guides for healing, divination, the success in agriculture, trade, politics and war.

    Each of the nine Lords has its own specialty and characteristic.

    Four of them are female deities and five are male.

    The Bolontiku used to communicate with his followers through a kind of dreams or visions.

    In all cultures the number nine (9) is of great importance, always accompanied by great mystical
    and even religions connotations, the Mayan without being the exception makes use of this number.

    The Mayans had a particular vision of everything to this round, which shared features
    with other Mesoamerican cultures such as the Olmec.

    They raised a world which was segmented in three very different planes,
    inhabited by gods or divine beings, and where there were large sacred forces that gave way to the cosmos.

    The three planes of this universe are the Earth as the place destined for humanity and all living beings,
    this plane was separated from the sky and the underworld (Xibalba),
    through trees with their respective branches sacred.

    One belief is that great solar deity every evening fights and defeats the forces of the underworld,
    to appear again each dawn and return to take the thirteen levels of the sky to illuminate man.

    According to the ancient Maya belief, the underworld has nine levels.

    So important is the concept that this number (9) was expressed in some of its most representative monuments.

    The nine levels or platforms can be seen in the the Pyramid of the Feathered Serpent at Chichen-Itza, Pyramid
    of the Jaguar in Tikal and the Temple of the Inscriptions at Palenque.

    Each of the nine levels represents a level of the different underworld,
    expressed horizontally in the construction of the pyramids.

    As well as levels of pyramids that are seen becoming progressively smaller bottom upward,
    it also corresponds to the amount of time in each underworld which becomes shorter in duration.

    The Lords of the Night and the calendar

    The Mayan nights were governed by the nine "Lords of the Night."

    Each of these 9 deities was a night where the next would be the next Lord of the Night.

    Within the Mayan calendar, this sequence was a cycle of 9 nights that had no end.

    All 9 gods have their own glyph or representation.

    When the inscriptions referred to an important day be clarified which Lord of the Night
    was the prevailing during that time.

    All the tuns, katuns and baktuns calendar ends with the ninth Lord of the Night.

    It is known as the old God of Darkness and "Night Sun".

    For the Mayans to determine which was the Lord of night that reigned during a certain date
    would make it possible to identify special characteristics of that day specific,
    but also has partnered it with lunar cycles.

    Since 3 groups of 9 Lords of night would amount to 27 days
    which corresponds to sidereal revolution of the Moon cycle.

    Movement or period in which the Moon takes a tour around the Earth
    with duration of 27 days, 7 hours and 43 minutes.

    http://horoscopos.aztecatrends.com/…/los-9-senores-de-la-no…


    G1 Center - Xiuhtecuhtli (God of Fire and Time)

    G2 East - Itzli (The Sacrificial Knife)

    G3 East - Pilzintecuhtli (God of the Sun)

    G4 North - Cinteotl (God of Maize and Subsistence)

    G5 North - Mictantecutli (God of Death)

    G6 West - Chalchiuhtlicue (Goddess of Jade Water)

    G7 West - Tlazolteotl (Goddess of Confession)

    G8 South - Tepeyollotl (Jaguar God)

    G9 South - Tlaloc (God of the Rain)


    In Mesoamerican mythology the Lords of the Night are a set of nine gods
    who each ruled over every ninth night forming a calendrical cycle.

    Each lord was associated with a particular fortune, bad or good,
    that was an omen for the night that they ruled over.

    The Lords of the Night are known in both the Aztec and Maya calendar,
    although the specific names of the Maya Night Lords are unknown.

    The glyphs corresponding to the night gods are known and mayanists identify them with labels G1 to G9,
    the G series.

    Generally, these glyphs are frequently used with a fixed glyph coined F.

    The only Mayan light lord that has been identified is the God G9,Pauahtun the Aged Quadripartite God.

    The existence of a 9 nights cycle in Mesoamerican calendrics
    was first discovered in 1904 by Eduard Seler.

    The Aztec names of the Deities are known because their names are glossed in the Codex Telleriano-Remensis and Codex Tudela.

    Seler argued that the 9 lords each corresponded to one of the nine levels of the under world
    and ruled the corresponding hour of the night time, this argument has not generally been accepted,
    since the evidence suggests that the lord of a given night ruled over that entire night.

    Zelia Nuttall argued that the Nine Lords of the Night represented the nine moons of the Lunar year.

    The cycle of the Nine Lords of the Night held special relation to the Mesoamerican ritual calendar of 260-days and nights or -night which includes exactly 29 groups of 9 nights each, and also, approximately,
    9 vague lunations of 29 days each.

    http://en.wikipedia.org/wiki/Lords_of_the_Night

    G1 Center - Xiuhtecuhtli (God of Fire and Time)

    G2 East - Itzli (The Sacrificial Knife)

    G3 East - Pilzintecuhtli (God of the Sun)

    G4 North - Cinteotl (God of Maize and Subsistence)

    G5 North - Mictantecutli (God of Death)

    G6 West - Chalchiuhtlicue (Goddess of Jade Water)

    G7 West - Tlazolteotl (Goddess of Confession)

    G8 South - Tepeyollotl (Jaguar God)

    G9 South - Tlaloc (God of the Rain)

    Lunar Cycles and the Lords of the Night

    The Lunar Series was the first Maya original contribution to the calendar
    and was incorporated early in the 3rd century AD.

    It was displayed just after the long count and tzolk'in in a sequence of four to eight glyphs.

    Using lunar day counts of 29 or 30 days, the Maya grouped Moon cycles into sets of six lunations
    (a lunation being the time between two, successive new Moons).

    Also within, or at least connected to the Lunar Series is a 9-day cycle called the Lords of the Night.

    Little is known about the significance or origin of this 9-day cycle,
    but it is recognized as the smallest cycle the Maya recorded.

    An interesting modern Maya use of nine days is connected to the Tzolk'in and the day of one's birth.

    In Maya communities of the Guatemalan highlands, it is said that counting nine days forward
    and nine days backwards from one's tzolk'in birthday gives the identities of their protector nawals,
    or protector spirits.

    Together, scholars refer to the Lords of the Night and the Lunar Series collectively as the Supplemental Series.

    In each of the over 250 known inscriptions containing a Lunar Series,
    a few standard points of information are provided.

    Those are; how many days have passed during the current lunation,
    which of the cycles of six lunations this Moon is in, the name of the current Moon,
    and how many total days this lunation has (29 or 30).

    Individually, the glyphs representing these points of information were labeled by Morley as glyphs A, B, X, C, D, E, F and G. Glyphs Y and Z were added as reading methods became more refined.

    Rarely does a single text display all of these glyphs, usually conflating them into pairs
    or omitting a few for textual space considerations.

    The Leiden Plaque, a lunar series recorded in 320 AD.

    The earliest known Lunar Series from the Maya world comes from an object called the Leiden Plaque,
    an eight inch jade celt meant to hang from the waste of a royal costume.

    On its front side a king is displayed, standing atop a captive and wearing an elaborate costume.

    The date etched on its back side is 8.14.3.1.12 1 Eb 0 Yaxkin, or September 17th, 320 AD.

    At the very bottom of the text, after the long count and the tzolk'in day,
    a group of eight smaller glyphs provide first the Lord of the Night and then some basic Lunar Series data.
    Though stylistically this artifact can be tied to the Peten, it was looted from its original context,
    so its exact point of origin remains unknown.

    The earliest known Lunar Series from a stela with secure archaeological context comes from Uaxactun
    and dates to 357 AD.

    There is good evidence to say that the Maya were able to calculate the actual length of an average lunation very accurately.

    The Lunar Series chooses 29 or 30 days, following the Maya penchant for expressing only whole numbers,
    while modern science calculates the synodic period of the moon as 29.53059 days.

    When they chose to pick a formula of six lunations the average day count came out to 177 days, or 6 x 29.5 days, which was close to true but still incurred an error of about .36 days per year.

    While a count of 177 days was not as accurate as the Maya could get,
    it was probably used because it is the most common interval of time in between eclipses.

    More accurate multiples of the lunar months were sometimes used for long range calculations. Comparison of Classic Period lunar data in Palenque monuments with the mythological lunar data from the Temple of the Sun suggests that the latter was calculated using the formula 81 moons = 2,392 days.

    This gives an average length of the lunar month as 29.53086, accurate to within 7 minutes per year.

    While not accurate enough to calculate a lunar age over two thousand years in the past, this formula would have produced accurate results when used to calculate lunar ages in the Classical era.

    At Copan, a formula that was almost as accurate seems to have been known: 149 moons = 4400 days. This gives a value of the lunar month as 29.5302 days.

    John Teeple, a chemical engineer who chose the astronomy of Maya inscriptions as his hobby, uncovered the mechanics of the Lunar Series in the 1920's.

    Spending much of his time travelling on trains, he entertained himself by pouring over hieroglyphics texts
    and pondering their meanings.

    The first important clue noticed by Teeple was the fact that the last glyph of the lunar series
    always counted 29 or 30 days, close to the 29.53 day length of the lunar month.

    Next he noticed that the first numbers in the series were always between 0 and 29 days,
    suggesting that they were days in the lunar month.

    Teeple tested his hypothesis by comparing inscriptions from the Temple of the Sun
    and the Temple of the Foliated Cross at Palenque.

    The Temple of the Sun records an event from mythological time,
    on the long count 1.18.5.3.6, long before the Classic Period.

    The Temple of the Foliated Cross records a long count date just 14 days later.

    Both are followed by a lunar series.

    If his hypothesis about the meaning of the lunar series was correct,
    he expected to find that his readings of the moon ages would be 14 days apart.

    Indeed, the Temple of the Sun text records of a moon age of 26 days,
    in a 4th lunar month of 30 days and the Temple of the Foliated Cross text records
    a moon age of 10 days in the 5th lunar month.

    This was his confirmation and he went on to translate almost 200 examples of the Maya Lunar Series
    and published them in two extensive manuscripts, one in 1925 and the other in 1930.

    http://mayan-calendar.com/ancient_supplementary.html
    G1 Center - Xiuhtecuhtli (God of Fire and Time)
    G2 East - Itzli (The Sacrificial Knife)
    G3 East - Pilzintecuhtli (God of the Sun)
    G4 North - Cinteotl (God of Maize and Subsistence)
    G5 North - Mictantecutli (God of Death)
    G6 West - Chalchiuhtlicue (Goddess of Jade Water)
    G7 West - Tlazolteotl (Goddess of Confession)
    G8 South - Tepeyollotl (Jaguar God)
    G9 South - Tlaloc (God of the Rain)
    Link to Interpretations of Night Lords
    http://www.4-ahau.com/en/Lords_of_Night.html
    Link to Calculators with Night Lords
    http://www.xzone.com.au/tzolkin/tzolkin.html
    http://maya.nmai.si.edu/calendar/maya-calendar-converter
    Links to PDF Downloads
    Maya Glyphs Book 2
    http://www.famsi.org/research/pitts/MayaGlyphsBook2.pdf
    Introduction to Maya Hieroglyphs
    http://www.mesoweb.com/resources/handbook/WH2004.pdf
    Creation (Three Hearth Stones)
    http://www.mesoweb.com/pari/publications/RT10/Creation.pdf
    FAMSI - The Ancient Maya Codices
    http://www.famsi.org/mayawriting/codices/marhenke.html
     
  3. CULCULCAN

    CULCULCAN The Final Synthesis - isbn 978-0-9939480-0-8 Staff Member

    Messages:
    55,226
    The Cho q’ij is a calendar with 260 days or energies:
    the 20 days in the Mayan month or winal, multiplied by the 13 days of the week (20 x 13 = 260).

    The winal arises from the convergence of the 10 cosmic energy currents and 10 telluric energy currents.

    It is also related to the 10 fingers on our hands, which are connected to the cosmos,
    together with our 10 toes, which are connected to Mother Earth.

    The 13 days of the week arise from 13 main joints in the human body:
    2 at the ankles, 2 at the knees, 2 at the hips, 2 at the shoulders, 2 at the elbows, 2 at the wrist and 1 at the neck.

    Each of the 20 nawales, or days, in the Cho q’ij is preceded by a number between 1 and 13,
    creating a calendar of 260 days.

    Once the calendar cycle ends, it repeats again without interruption.

    This system of measuring time does not consider the positions of the sun, moon or stars
    because it is a dimensional-engery calendar, not an astronomical calendar.

    ~ The Book of Destiny by Carlos Barrios
    www.harpercollins.com/books/Book-Destiny-Carlos-Barrios/?isbn=9780061887444

    Written at the request of the Mayan Elders, by a member of the Guatemalan Elders Council
    and Mayan priest Carlos Barrios, The Book of Destiny is a tool to help people understand their life purpose
    and to use this profound knowledge to make the best of their time on Earth.

    According to the Mayan Elders, at the moment of birth every human being is given a destiny.

    Our life challenge is to develop ourselves and our skills in order to fullfill this destiny,
    thus fueling our individual contribution to the planet.

    At the heart of The Book of Destiny is the sacred Mayan Calender,
    an extraordinary tool that allows readers to discover this destiny,
    along with their special Mayan symbol, origin, and protection spirits that accompany them through life.


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    Facebook group here: https://www.facebook.com/groups/TrueJaguar/permalink/799550063421001/
     
  4. CULCULCAN

    CULCULCAN The Final Synthesis - isbn 978-0-9939480-0-8 Staff Member

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    Last edited: Oct 22, 2014
  5. CULCULCAN

    CULCULCAN The Final Synthesis - isbn 978-0-9939480-0-8 Staff Member

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